Select Curatorial & Gallery Notes
Settling Into the Abyss, Nam Nk, Independent Curator, India, UAE. 2026
“Settling into the Abyss confronts states of despair and emotional exhaustion, where certainty dissolves and meaning feels unstable. The works dwell in moments of psychological depth—spaces marked by isolation, repetition, and quiet collapse. Rather than resisting the void, the exhibition considers what it means to remain within it, asking whether presence itself can become a form of endurance.”
Flowers of the Universe, Giulia Falcone, Curator, Zurich, Switzerland. 2025. Redin Winter featured with three international women artists
“From Artemisia Gentileschi, who in the seventeenth century opened a decisive fracture in the artistic scene, to the Guerrilla Girls and their incisive motto "The advantages of being a woman artist", the history of art is crossed by female voices who have been able to resist, assert themselves and transform the collective gaze. {…}this curatorship celebrates female artists as flowers of the universe: unique presences, each with their own strength, their own delicacy, their own trajectory. Their works are not mere testimonies, but acts of creation that intertwine resistance and imagination, courage and vision. In Flowers of the Universe, the diversity of languages is composed in a common horizon, in which female artistic practice becomes cosmic energy, capable of illuminating both the past and the present and opening up new possibilities for the future.”
What Shadows Offer to the Eye, Dorian Verdier, Curator, Montreal, Canada.
“Works where dark areas become refuge, depth, promise, revealing a discreet and welcoming beauty.”
The Colors of Winter, Anna Chrusciany, Curator, Paris, France. 2025.
“Winter unfolds a silent palette, marked by fragility and erasure. The colors become traces, evoking vanitas and the passing of time. Yet, beneath this apparent immobility, there remains a breath of freshness and the announcement of a renewal. For every end already contains the promise of a beginning.”
“I love the gravity, a world emerging from shadow and flame.” Alex Colard, Senior Curator, Stockholm, Sweden. 2025. The Black Series.
“There’s a poetic calmness in this piece that feels timeless. Beautiful work!” Ainhoa Fernández, Art gallerist and curator. Madrid, Spain. 2025.
The Fate of Form, Vanni Rinaldi Air Darya, Curator, Brescia, Italy. 2025.
“The Fate of Form investigates the journey through which contemporary painting transforms—and at times dissolves—the figure. The artists gathered in this collection compare the passage from the recognizable image to abstraction, showing how form never entirely disappears but regenerates in marks, layers, and geometries. Each work becomes a testimony to a process: the figure resists, mutates, denies itself, and renews, revealing that the fate of form is to transform endlessly.”
Intimate Spaces, Carla Gerbino, Curator, Milan, Italy.
“Intimacy does not reveal itself in full, it lingers in the suspended spaces between presence and absence, disclosure and reserve. It's a silent dialogue between body and memory, between the individual and their surroundings, capable of transforming everyday gestures into moments of profound connection. The works presented here explore this fragile yet powerful dimension: materials, forms, and colors become instruments to unveil vulnerability, desire and inner feelings. Through intimate perspectives, the viewer is invited to engage with his own perception, recognizing fragments of shared experience in both others and themselves.”
Features & Press
The Word San Diego, 2025. (Print and Online.)
East County Magazine, January 2023.
“Meet Redin Winter,” Interview. Canvas Rebel, June 2022.
Shoutout Socal, December 2020. Published. “Meet Redin Winter - Abstract and Mixed Media Artist.”
The CW 8, San Diego, May 2019. News Interview, Recorded.